Welcome to the World of Arthur Schnitzler

Imagine a world in which:

An unknown person comes to visit another without any previous appointment. The one he is looking for is not at home. Nevertheless, the porter allows him to enter the apartment and wait there until the owner returns.

An unmarried lady of advanced age is addressed as “Fraulein” (little woman).

Ushers inspecting your theater tickets wear white gloves.

“Real” art is supposed to be chaste.

A small provincial town such as Neu Ruppin, Brandenburg, 14,000 inhabitants, was expected to have a theater as a matter of course (it did: its name was The New Stage, and it continued in existence until 1950).

Where most rooms were illuminated, if at all, only by a couple of candles.

In which there are no public electronic methods of communication so that news depends entirely on the newspapers.
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Where a parcel arrives just one day after it has been sent.

Where men are fully entitled to command their wives and punish them.

Where men trying to get closer to a woman does not have to fear that she’ll cry “rape,” not that she will come up with demands for financial compensation.

Where it was not taken for granted that every woman is a saint or a victim.

Where it was taken for granted that an adult man could seduce a thirteen year old girl without the latter necessarily suffering all kinds of psychological traumas.

Where a man regularly calls his wife or beloved, child.”

Welcome to the world of Arthur Schnitzler (1862-1931), the Jewish-Austrian author from whose work all this is taken.